Off Stage
It would be nice to hear live music again. I was reminded of this yet again the other night when my wife and I sat down in my study to “attend” a live dance concert with the Texas swing band “Asleep at the Wheel.” Ray Benson, the band’s tall, bearded greying front man, led the octet in a selection of some of its most recognizable numbers – “Route 66,” “Boogie Back to Texas” – from a ranch resort outside Austin. The show, with virtual access costing $25, was promoted as “live,” though you could feel some of the artifice of the performance. It’s hard to muster the ambiance of a dance hall when, per the rules of social distancing, you are playing only to an audience of cameras, not real people. It will have to do, for now. Which is exactly the problem with all the other efforts at reclaiming lost aspects of our lives. There’s no better symbolism of the forced nature of the simulacrum that passes for returning to a semblance of normalcy than the way Major League Baseball has revived itself this (half)season. Empty ballparks, many of them “populated” with cardboard cutout spectators in the front rows,...Read more